richard rogers is no stranger to the london house scene. he possesses a lengthy back catalogue that finds it s way into the record boxes of dj s worldwide. moodymann, tamo sumo, fritz wentink, bicep, ashley beedle, dam swindle, jeremy underground, dan shake, danny red rack em and dixon basement jams are all strong supporters of black boobyreleases. there s been tracks and edits with gene hunt, jordan fields, moton inc, terry farley, stuart patterson and k alex shelby to name drop a few. bb013 is the magic number and this new black booby release delivers magic to your ears. four original tracks from the vaults ranging from deep nyc inspired house to slow burning, chugging 6am warped shakers. a limited edition black booby metal pin badge is inside the release for die hard fans. this is one record store day release you definitely need in your box...

any disco dj worth their weight in vinyl knows the name donnell pitman, and until now this has been mostly due to his highly sought after work of the late 70s and early 80s. renewed interest in donnell has reached critical peak over the past few years, fueled by red greg’s feature of donnell’s seminal “love explosion” on joey negro’s under the influence vinyl compilation series and chicago’s numero group putting out long forgotten, unreleased boogie bangers “burning up” and “taste of honey” in 2015.
it was this refreshed enthusiasm that caught the attention of producer kumar mcmillian of chicago-based disco ensemble wings of sunshine. kumar’s group was looking for another vocal collaborator following their 7” debut release on star creature records. a casual introduction led to an informal studio session between the two culminating in a modern disco masterpiece.

medical records proudly presents a special limited edition of all 3 “forgotten tracks, sketches and unfinished work 2002-2004” by martial canterel as a triple gatefold set. volume i was released previously in 2013, and volume ii and iii are simultaneously being released by medical records as standalones. sean mcbride has been producing work under the martial canterel moniker dating back to 2002 as well as working as half of xeno and oaklander. these tracks capture the allure and depth of sean’s early work exploring rhythms and perfectly crafted pop songs using a very early incarnation of limited instrumentation. fans of martial canterel’s early work (think “austerton” and “sister age”) will be instantly elated. this is the first time these tracks have been released on vinyl and have been remastered for this release by martin bowes at the cage, uk. contains special bonus insert with lyrics. fans of early martial canterel as well as other cold wave icons such as a blaze color, snowy red, and the like will need this collection. presented on high-quality 180gram classic vinyl in a triple gatefold pack.

medical records proudly presents volume iii of a collection of “forgotten tracks, sketches and unfinished work 2002-2004” by martial canterel. this release coincides as a standalone with medical’s other releases of volume ii as well as a special 3lp compiling volumes i-iii. sean mcbride has been producing work under the martial canterel moniker dating back to 2002 as well as working as half of xeno and oaklander. these tracks capture the allure and depth of sean’s early work exploring rhythms and perfectly crafted pop songs using a very early incarnation of limited instrumentation. fans of martial canterel’s early work (think “austerton” and “sister age”) will be instantly elated. this is the first time these tracks have been released on vinyl and have been remastered for this release by martin bowes at the cage, uk. contains special bonus insert with lyrics. fans of early martial canterel as well as other cold wave icons such as a blaze color, snowy red, and the like will need this collection. presented on high-quality 180gram classic vinyl.

blinding tracks from joey anderson, qu, nicuri and new artist art gallery.
exchange place is the dj collective that includes nicuri himself alongside joey anderson, dj qu and a producer by the name of art gallery. the name makes reference to a district in downtown jersey city, just across the river from manhattan, which is where the crew is primarily based. they released a 12-inch under the name exchange place with dj qu s strength music label back in 2010, and have dj d occasionally as a group around new york city. the new ep, immaculate inception, includes one track from each of the four contributors.

nat king cole’s 1952 album “unforgettable” back on 180 gram vinyl with download code included.

dj glc makes his debut with his first solo ep, inspired by 90 s deep house roots. gianluca, a dj & producer since 10 years in the business, offers a complete ep touching every kind of nuance of house music. “feel the rhythm” original mix is a dreamy concept, pads filtered take you into a trip, simoncino remix is a dance floor killer with straights pattern and magic atmosphere. “paradise house” is inspired by infamous italian deep house of the 90’s , vintage sounds selected and hardware used to make it. “move on!” is different view not in 4/4 but break patterns, samples and deep bass line. a complete view of actual house landscapes.

dj support: richie hawtin (minus) luciano (cadenza) paco osuna (plus 8 / minus) m. fukuda gaga horacio cruz cristian varela (pornographic), spartaque raul mezcolanza (el row / 1605/ neptuuncity / lactik) igor yan oxygen dj boris (transmit / sci+tec / tronic / pacha ny / space miami) sisko electrofanatik (neurotraxx / armada / iamt) alessandro grops filterheadz (1605 / mb elektronics) tkno steve mulder mr. bizz stacey pullen d-deck marcel szi christian cambas (1605 / sabotage / greatstuff) agent orange jay force joseph capriati (drumcode) . italian brothers mr. bizz are making their fire debut on codex with amazing core ep. having solid release profile on the strongest tech labels like transmit, alleanza, bitten, terminal m, funkin deep records they have delivered three brilliant tracks core, red code and hide me. top class production techno masterpieces which ones we are very proud to press on codex wax. the release has been powered by nasty & brutal sound of french rising star wex 10 . quentin was already well known by his tracks and remixes on riot recordings, naked lunch, dsr digital, remain records, respekt recordings and more and we are also very happy to have this tallent on board of our label. so this is another great codex release submitting all colours of techno.

distinctive tenor singer linval thompson honed his singing craft in his formative years, growing in the west kingston ghetto of three mile, where he was associated with dennis brown, johnnie clarke and al campbell. a subsequent move to new york brought him into expatriate act hugh hendricks and the buccaneers, with his debut recording, ‘no other woman,’ being made circa early 1974 at patrick alley’s art craft studio. a series of other singles followed from his new york sojourn, but the return to jamaica in 1974 led to more noteworthy singles for stamma hobson, phil pratt and lee ‘scratch’ perry, with ‘jah jah redder than red’ and ‘girl you’ve got to run,’ both cut at the black ark for pratt, being the most successful. yet, it was all but a prelude to the breakthrough success he would finally achieve upon teaming up with bunny lee for ‘don’t cut off your dreadlocks,’ one of the most popular releases of 1975, a debut album of the same name, issued by third world in 1976, contained some of his most outstanding material, including the devotional ‘jah jah the conqueror’ and ‘long long dreadlocks,’ the romance thriller ‘black princess lady’ and the anti-rude boy opus, ‘cool down your temper.’

the second album from leaf dog on double vinyl with download code included.

heavy, heavy, heavyweight boogie here from the legendary salsoul catalogue! the man - leroy burgess - with his frequent collaborator red greg carmichael turned in this insane 2 sider in 1981 ( dancing into the stars on the b-side!), both cuts just ooze that synthed out disco soul that burgess is known for, super deep and with flawless production. extended jams on both sides, tracks that go on and on in the best possible way! simply put, this one s is an essential! leroy s influence on house and garage music should not be understated and it s records like this one that prove this over and over again! record s like this still get spin in the clubs, they still have people losing it on the dance-floor! timeless dance music from one of the most legendary artists and labels in the game. this record is all about having fun, partying & losing yourself in the music, an essential classic that has stood the test of time for the last 30+ years & is now available again, legitimately remastered & repressed for 2017 in conjunction with salsoul records, nyc. you need this one!

after releasing a string of quality eps for the likes of charlois, doppellschall and permanent vacation, amsterdam based artist dollkraut (pascal pinkert) confirmed in 2014 with his debut album schimanskis black lullabies on brandt brauer fricks imprint the gym. the dutch producers back with his sophomore lp due february 24th 2017 on dischi autunno new label founded by jennifer cardini and noura labbani. holy ghost people sees dollkraut delve deeper into his recognizable lo-fi and organic sound, inspired by old movie soundtracks, creating gritty atmospheres mixed with the purest of melodies. album opens with instant hit bonnie said, where pascals vocals magically merge with the darkest of bass lines. valium continues the journey, increasing the tempo but confirming the feeling of being in a lost sci-fi movie soundtrack. on oblivian, the rhythm slows down again, allowing us to dive even more in this twisted yet candid universe.

sold out - repress 2017 , its gonna be summerly again in the fauxpas musik catalog and while its tour de france at the moment, were releasing the album chapeau rouge by french artists bruno bourmendil aka folamour. four tracks taken from the album will be pressed on sunny yellow wax including a sunset-red innnersleeve, a risograph printed inlay and a download-code for loading the entire album. the nice design concept was made by alex ketzer again. were looking forward to a warm and sunny summer 2015. vinyl tastes better…

limited edition of 300 copies on 10 inch vinyl.
brooklyn musician and red bull music academy alum sam posner created el niño & the southern oscillations as a meditation on the the beauty and power of the ocean. the tracks flow through timeless electronica influenced by selected ambient era aphex twin and early larry heard as well as contemporary artists like carribou and jamie xx. posner sketched the framework and palate for the project over a few years of travel, bringing the final ep together in a sea-side cabin watching waves crash against the rocky maine coast.

legendary detroit dj, producer and godfather of * beatdown* delano smith has been in the mix for over 30 years, his skills are untestable, his sets are all classics, and he shows no signs of slowing down anytime soon! this ep from 2005 on chicago s still music packs a punch - low down, deep, rolling techno-house hybrids that tick all the boxes! still sounding fresh today. including a stellar dub mix and jimpster reimagining all 3 cuts will find their way into your record bag no problem! essential repress action!

uk artists reset robot, jon gurd and tom powell collaborate again on their free-form hybrid electronica project- mister woo . following a series of under-the-radar eps, beyond light is the trio s debut album and most experimental and eclectic work so far. mister woo recorded beyond light in their portsmouth studio over three weeks in 2016, setting themselves to writing and recording tracks on-the fly and building an album around one-take, improvised performances. free to take its own form and direction from the outset, the result is a varied, unpredictable, high-energy record that pushes mister woo s distinct brand of electronica into new and unexplored places

punk rock classic on heaavyweight 180 gram vinyl ! includes the wonderful should i stay or should i go - everyone should know now!

after a blistering end to 2016, rhythm section intl begins its 2017 schedule with a second outing from peckham duo fyi chris. sitting firmly left of centre, these 4 tracks manage the very difficult task of being both unconventional and highly functional. highly recommended for fans of similarly difficult-to-categorise artists such as red axes, axel boman and baba stiltz.

at a recent gig in macedonia, he played an incredible “live pure data” set, using real-time graphical data flow programming to create all his own sounds. with this huge wealth of knowledge and a hard drive stacked with unreleased productions, his ‘spookz ep’ is long overdue. he describes his music as industropical or funkyndustrial and when you hear his two original cuts on this ep, these descriptions become more apparent. ‘spookz’ is dappled and harmonious with sweeping electronics and in-depth grooves. ‘prance for me’ is atmospheric and quaking in its deliverance, showing all his innovation and creativity. the ep comes with two stellar remixes. the first is by el prevost who delivers a grinding reworking of ‘prance for me’. el prevost has been forging his sound over the last decade, gradually shifting into the house and techno scene in particular for uk label, third ear and his most recent self-run label, no speakers, which boasts a varied artist roster that includes doorly, red rack em, wbeeza, 65d mavericks and gabbi lopez. rommek’s remix of ‘spookz’ follows and shows why this recently emerging artist is fast becoming a definitive force on the techno scene. fellow loose lips collective member, rommek made his production debut on weekend circuit, before joining james ruskin’s iconic blueprint label who released his ‘moth hole ep’, plus an appearance on their 20th anniversary compilation, ‘structures and solutions’ gaining him an admirable reputation for textured sound designs.

pale blue is the new alias for mike simonetti, one of nycs most infamous underground producers, paired with the vocals of elizabeth wight. the duos seductive double sided ep comes home / have you walked through this night is remixed by breakthrough spanish producer pional on man power’s me me me label. have you passed through is raw and daring, its female vocal reminiscent of innovative early electro, this is a intoxicating late night anthem of leftfield electronica. its lyrics are taken from the film the thin red line, a movie about mans destruction of nature, his world and himself. come home is equally alluring with a dreamier narrative, and pionals remix is stripped back and effortless. for these two songs, the inspiration is coming out of the darkness that is inside all of us. it sounds heavy and overbearing, but dance music is the ideal music for escape. it fits perfectly into the pale blue agenda. this music was made for a small, dark crowded dance floors, with low ceilings and high hopes. humanity is bombarded with suffering and pain at every turn its almost like we thrive on it. but we deserve better. these two songs represent part of that struggle- moving towards the light. take your frustrations out on the dance floor. throw it all away for the night. the b-side is about coming out of darkness, coming home. finding euphoria in love and security in one another. feeling lost in the best way. pale blue

cascades is the music collaboration between two montreal-based musicians, neo-classical pianist jean-michel blais, and genre-defying grammy award-nominated electronic producer mike silver (pka cfcf). building off their sold out performance during the globally-celebrated 2016 red bull music academy, cascades is a stunning 5-song, 30-minute meeting-of-minds that navigates the spaces between the artists’ respective crafts and tendencies toward playful minimalism. featuring new versions from the duo’s catalogues, a reworking of john cage’s “in a landscape”, and a brand new, classical-meets-trance original composition, “hypocrite”, cascades is a celebration of the traditional and experimental, dissolving the old into the new.
the vinyl release is limited to 1000 numbered copies and includes a downloadcode.

slamming 90s inspired house, analog feel

repress of the original vinyl release on mff back in 2001. newly re-mastered for 2017, angies fucked and sure are sounding bigger and better. driving dubby deep house with freaky effects. this ep was undoubtedly one of mffs release highlights and c++ (aka joshua, circulation, j-boom, c++, free energy, stereo people, dubwise and as iz of iz & diz) needs no introduction having been making music for past 24 years and setting up vizual records with production partner diz. hes previously released tracks on label giants such as prescription, balance, clas-sic, junior boys own, om and guidance, working with the likes of derrick carter, chez damier and cajmere. four tet also chose to pay homage to this rarity by adding angies fucked to his highly revered fabric live 59 compilation, released in 2011. the track sits comfor-tably alongside burial, floating points, red rackem, ricardo villalobos and cari-bou, who all feature on the album too. make sure you play it lou

- gore-tex city- is varg s new album, and third in his nordic flora series, marking a further and deeper sweep of his elements. stealth dance floor assaults are layered with lobotomised, spoken word meetings in malls, and free-form electronics pepper acou

the arms of someone new fearlessly mix genres without sacrificing the unity of their vision. “’susan sleepwalking’ could as well be retitled ‘music for interiors’ - both architectural and of the mind” - the michigan daily 1985. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. housed in the original jacket featuring a blood red-tinted photograph with ghostly textures. each copy includes a 2-sided 11” square insert with lyrics and press clippings from the band’s archive.

beranek’s debut album, “sound of danger”, was released on mind expanding records in november 1981. nowhere near as accessible as the previous single, the album fared poorly commercially. withdrawing from the single’s fun, kitsch pop, the album is cool and static, driven by thin rhythm boxes, cold synths, and glacial guitars. taking heavy cues from david bowie, all of the songs are sung in a nasally english accent, a rare occurrence in norway at the time. the lyrics are melancholic, but tinged with paranoia. there are also upbeat tracks that evoke a prog or glam sensibility a la king crimson, alan parsons, or roxy music. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. housed in the original jacket featuring red, black, and white lines that evoke a visualized richter scale designed by monica moltzau. each copy includes a 2-sided 8x11” insert with lyrics and an autographed press photo of beranek.

r&s welcomes back space dimension controllers jack hamill for a ep of his trademark future-funk, his first for the label since 2013. the exostack ep marks a welcome return from hamill to the kind of astro-boogie that made him a unifying favourite in any discerning dj’s record box. the title track is a masterclass of wide-eyed astral disco - cycling euphoric arpeggios underpinned by dubbed out bass riffs and swooning pads. unfurling over a sizeable 8 minutes, hamill justifies every second with a beguiling arrangement that takes the listener on a groove excursion of epic proportions. on the flip, red hot swede kornél kovács delivers a tuff rerub that jacks up the drums, and cools out the chords, twisting the original into a classic house roller. sdc original biopan finds hamill in more contemplative mood - pulsing drums, a subdued bass figure and woozy synth melodies combine to haunting effect.

sydney’s outer time inner space move from record store to record label in 2017 and they’re keeping it local with the first release. in 2016, thomas mcalister aka cop envy, turned in a stunning ep for uk label opal tapes. a percussive excursion through 3am mind melters, thom proved his ability to craft seemingly effortless, yet undeniably entrancing club tools. under new alias sean thomas, thom extends his reach into deeper, harmonic textures. heady melodic inflections float atop peak-time, rolling rhythmic beds in what feels like an ode to the late 90s, limited-capacity club excursions of western australias red ember records, patrice scotts sistrum recordings or the uks phono label early support from: plo man, ben fester, simon caldwell, adi toohey and a load of other selectors that are keeping it deep in twenty seventeen

purely personal and unconventional concept well outlined, drafted exposes several ideas ranging from more gloomy dark introspective and reminiscent, to more solid and effective detroit, with intonation in experimental. four tracks that tell a story, four tracks which explain its own be the listener. 180grams red marbled vinyl only.

a special collection on a limited 2x12 inch vinyl edition including brand new versions of some of the classics of the label in the first ten years.
the package features remixes from some of our favourite artists. the don of chicago deep house ron trent gives his timeless classic touch to without me by tevo howard feat. tracey thorn.

son of a beatnik - an absolutely monster record getting some well deserved reissue love! produced in chicago by the well loved and late dj chunk-a-bud aka adam malian (rip) all the way back in the mists of 1994 on rick lenoir s coveted house jam label this 12inch undoubtedly takes it s cue from the cities vast, rich and deep heritage of dj s and predecessors. this record proudly contains the spirit of the music box, the warehouse and all the other like-minded spaces that fuel it s disco thrusting beats, anyone with a passing interest will know the elements that make up son of a beatnik , they are classics in chicago and beyond! this is one of those records that just doesn t stop, it s still getting caned today by those lucky enough to own a copy. a true blue cult classic, real deal house music from the windy city. a truly rare 12inch that doesn t show up very often son of a beatnik is an essential release from a particularly fertile period in house music, chopped up, sampled, looped and programmed with love! a surefire winner, this record will cause infinite damage on any dance-floor. truly essential stuff here, this reissue has been realised with the full involvement of rick lenoir and is 100% legit! don t snooze, this one deserves a spot in any self respecting house heads record bag or dj set, classic material made available again for 2017!

ben bix is a multi-instrumentalist and producer renowned for his curiously charismatic work with the band meltybrains? feather is a familiar vocal presence from loah, whose voice ranges from a shy whispers to jazzy soul.

wizards of ooze was a belgian band that released 3 albums between 1994 - 1999 and toured the whole of europe. the bands sound is a mixture of different genres, combining elements from primarily soul, fusion and psychedelica. their thirdalbum almost ? bikini is regarded as the more open and accessible one.

mondo präsentiert die vinyl-erstveröffentlichung des soundtracks von bear mccreary zum us-spielfilm “10 cloverfield lane” des regisseurs dan trachtenberg aus 2016 mit mary elizabeth winstead und john goodman in den hauptrollen. schwarzes 180g doppelvinyl mit liner notes des komponisten.

the series go way back to 2002 and has been championed by sadar bahar, theo parrish, lee collins, red greg, hunee, antal and many more connoisseurs of all things funky. this time its again a wild mix of soul disco boogie fusion and gospel wich sets the label apart from others within the scene. number 10 is also on its way...we never know wich one will be the very final one, so let’s enjoy while it last...

monument builders is the new album from loscil, the ambient/electronic project of prolific composer scott morgan. it was primarily created on sample-based instruments in morgan ’,s century-old vancouver home. like that aged space, this music is also rough-hewn, with rickety samples of boiling kettles and resonant moving air. recordings from a vintage micro-cassette recorder contribute distortion, rattles and textures that serve as both percussion and abstract aural color.

for the first time, the world’s greatest film composer performed by the world’s most exciting musicians.
double 12 inch vinyl in gatefold sleeve.

4 new techno cuts from mark henning

draculas son lp, visual artist jockum nordstrom and music producer joakim ahlund (les big byrd, the caesars, teddy bear stockholm) team up for a second lp, this time draculas son. now availble on junk yard connections here for stay. grab a copy before the stock is out! keep it indie!

for the first installment of our sublabel catalog we are happy to present to you two young guns robin stern & tom ries who are debuting with their first vinyl release straight out of frankfurt s outskirts.

born marco sterk, he certainly doesnt come from a standard dj background. a former skate rat who grew up loving american post-hardcore and 90s hip-hop as much as early warp records, hes been affiliated over the years with amsterdam institutions such as rush hour, red light records (where you ll find him most weekdays!) and, of course, dekmantel itself. still, thers no question that hes always followed his own path, even during the years that playing his favorite records meant that he was occasionally clearing dancefloors

after seemingly coming out of nowhere, your old droog set the internet aflame in 2014 with his self-titled debut ep, catching the attention of bloggers all over the web from new york magazine’s vulture to nahright. before long, conspiracy theories started and people began to posit that droog was another older, legendary new york rapper in disguise. profiled in the new yorker, droog (meaning “friend” in russian) set the record straight about who he was: a twenty-something ukrainian immigrant who fell in love with hip-hop when he arrived in south brooklyn as a small child. the timbre of his voice resembled that of a hip-hop legend but droog’s content had more to it than street dreams or observations from a project window. his music reflected his own unique life experience as he referenced everything from sports, to crime, to seinfeld and c-span in his rhymes. he was an intelligent hoodlum with a stand-up comedian’s sense of humor—unafraid to be as self-deprecating as he was self-aggrandizing.
on his critically-acclaimed debut, the your old droog lp, he vowed to “bring back storytelling” and now on his sophomore album, packs, droog delivers on that promise.

krystal klear captures the essence of nycs underground music culture with danceteria / keith haring released 27th february on his own cold tonic imprint. krystal klear has released on all city records, rinse, eglo, madtech, and cold tonic. he also curates a monthly show on rinse fm while djing the most exciting clubs around the globe. from his roots in dublin to attending the star-studded red bull music academy in madrid, krystal klear’s signature productions blend early-days nyc dance music with a forward- thinking sensibility.

toy tonics mushroom house series brings together different shades of afro-weirdo-psychedelic vibes in dance music. all tracks have been made exclusively for toy tonics. the musical range is wide: the third ep goes from arabic guitars to nubian chants and looots of percussions. the bass drum is four-on-the-floor, but switches from midtempo (kiwi: we are here) to classic new york lofi disco grooves (ponty mython) the other 2 tracks on the ep feature an emptier vibe: less toms more drum machines. more techno. red axes deliever probably one of their weirdest works. their munk rework is pure craziness. the melodies come from another space. the last track on the ep is made by old toy tonics friends from milano: the barking dogs. they teamed up with tom trago in the basement studio of the great record store they run in milan: serendeepity records. they are known for selling obscure, but classy music for dance floors and thats what they do when the make music on their own. like on your high: an obscure groove meets a sloppy bassline and stoned vocals.

new years deal - the next phase of in their feelings drexciyan spaceship is starting now. dirty electrofied house groooves sounding more like detroit than copacabana.

hotflush welcome lara wehbie aka blursome to the ranks with her debut ep “rendition of you”. raised in north carolina and currently residing in brooklyn, wehbie has come a long way since beginning to work on music in 2011 as a way of channeling her diagnosed depression and anxiety. she describes her work as a transitional darkness, something she says defined her sound even before she could manage the software she uses to make it. in her own words, “rendition of you ep signifies major transitions in my life over the past year and how my environment truly played a role in handling situations. it s a testament to how much happier i am now than i used to be. i still struggle but i m truly thankful for the influences i have around me that have made me a better individual and artist.” along the way she has attended the red bull music academy bass camp in 2015, and after an appearance on scuba s 2016 fabric mix, she debuts on the label with an experimental six track ep. side a of -rendition of you- introduces listeners to her experimental use of vocals and heavy percussive influences from the left field genre. side b dives straight into dance floor material with pounding kicks and and interjecting vocals, but then slowly winds down into a more melancholic ending with piercing synths rattling through to the last drop.

a deep house classic

the third release on ascorbites own corseque records is not for the faint-hearted. advance the flight and inadequate demeanor are clearly twins, delivered from the darkest corners of ascorbite’s mind. the bold, pounding quality of the ep brings adam x or grovskopa to mind but ascorbite has a dystopian touch that’s entirely his own. advance the flight is like a battle track for an intergalactic armada being attacked by an infinite horde of swarming space ants. inadequate demeanor, on the other hand, is a grim steampunk fantasy of a black, shining locomotive plainly out of control, raging on red hot rails towards the end of the line. however, while both tracks are rough and unforgiving, ascorbite manages to invigorate them by the use of subtle melancholic atmospheres – like rainy skies over a concrete desert. a balance between brutalism and vitality. a trademark of ascorbite and corseque records.